Anyone Know Where I can purchase this Space Craft/Object???

2

Comments

  • LeatherGryphonLeatherGryphon Posts: 11,682

    So sorry about your loss, Redfern. I can certainly see why it has such a hold on you.

    I notice that you and I share many similar tastes in films. Certainly, "2001" wasn't a bad movie, per se. Back when it first came out, I knew about the story behind the film where Kubrick tried to make it ultra realistic by NOT putting in sound effects of rockets and whooshes in space scenes that other films normally used in the day, only for him to finally cave and put in The Blue Danube when the sample audience complained about the ultra long silence during the shuttle's approach to the station. It was a most impressive endeavor, especially given the available technology for film makers back then. And quite innovative for its day, influencing films like "Doppelgänger" aka "Journey to the Far Side of the Sun" in their space scenes (only for Kubrick's lesson to be lost on its producer, Gary Anderson, when he made "Space: 1999"--yeah, Anderson made both of those!)

    And now YOU get to experience a cringeworthy moment with my reminder of that 1975 production! cheeky Seriously, after the likes of "Star Trek" and "2001" and his own "Doppelgänger"why didn't Anderson ever think of using something as simple as adding a plot element that the engines of the Meta Probe were still on the Moon undergoing some sort of final operational testing of its "jump drive" when the nuclear dumping grounds exploded to explain the Moon's journey!!?? Residual radiation from the dump sites would prevent Alpha personnel from getting close enough to shut down the jump engines, which was powering it to cause the Moon to randomly jump through various points of the universe. Such a simple addition to the dialogue in the first episode and periodic reminders to that effect could've saved the entire series!!

    Jumping on the Space 1999 bandwagon.  Yeah, I remember when it came on TV but at the time I never saw more than one or two episodes and thought I was missing something.  I found it on streaming TV a few months ago and tried to watch it but it just sucked royal swampwater after the first couple of episodes.  So, disappointed.  The two principle actors should have stayed with Mission Impossible.

  • RedfernRedfern Posts: 1,618

    The two principle actors should have stayed with Mission Impossible.

    Not possible...or should I say "impossible"?  While Landau and Bain did leave after the third season (around 1969), the series itself wrapped up in 1973.  So even if they stayed until the end, they would have been "available" no matter what by the time Anderson started working on 1999.

    It's interesting how many people have independently suggested some sort of malfunctioning "hyperdrive", "jump drive", what have you, as an alternative tp a nuclear waste dump simply going "BOOM!", myself included.  My angle was that they encountered alien tech (a bit of a nod to 2001) and their interference caused the issue.  But testing the Meta probe system also makes sense, amybe a supposed improvement upon the "Queller" drive that was the basis of one episode.

  • CybersoxCybersox Posts: 9,085

    So sorry about your loss, Redfern. I can certainly see why it has such a hold on you.

    I notice that you and I share many similar tastes in films. Certainly, "2001" wasn't a bad movie, per se. Back when it first came out, I knew about the story behind the film where Kubrick tried to make it ultra realistic by NOT putting in sound effects of rockets and whooshes in space scenes that other films normally used in the day, only for him to finally cave and put in The Blue Danube when the sample audience complained about the ultra long silence during the shuttle's approach to the station. It was a most impressive endeavor, especially given the available technology for film makers back then. And quite innovative for its day, influencing films like "Doppelgänger" aka "Journey to the Far Side of the Sun" in their space scenes (only for Kubrick's lesson to be lost on its producer, Gary Anderson, when he made "Space: 1999"--yeah, Anderson made both of those!)

    And now YOU get to experience a cringeworthy moment with my reminder of that 1975 production! cheeky Seriously, after the likes of "Star Trek" and "2001" and his own "Doppelgänger"why didn't Anderson ever think of using something as simple as adding a plot element that the engines of the Meta Probe were still on the Moon undergoing some sort of final operational testing of its "jump drive" when the nuclear dumping grounds exploded to explain the Moon's journey!!?? Residual radiation from the dump sites would prevent Alpha personnel from getting close enough to shut down the jump engines, which was powering it to cause the Moon to randomly jump through various points of the universe. Such a simple addition to the dialogue in the first episode and periodic reminders to that effect could've saved the entire series!!

    Jumping on the Space 1999 bandwagon.  Yeah, I remember when it came on TV but at the time I never saw more than one or two episodes and thought I was missing something.  I found it on streaming TV a few months ago and tried to watch it but it just sucked royal swampwater after the first couple of episodes.  So, disappointed.  The two principle actors should have stayed with Mission Impossible.

    There are a few good episodes in the first season, but the entire second season was pretty awful.  I think the overwhelming consensus is that the episode Dragon's Domain is the undisputed highlight of the series, and, ironically, it was also one of the handful that didn't focus on the main cast. 

  • CybersoxCybersox Posts: 9,085

     

    Space 1999... had severe problems and I'm not sure the plot idea that you suggest, though it's a good one, would have saved it from a main cast with little chemistry, and scripts and direction that frequently plodded when they needed to sprint.  What was sad is that 1999 started off as the second season of UFO, which, while it had bugs of it's own, was a far superior show in almost every respect.  I recently bought the British remastered Blu-rays for UFO and it's astonishing how good that show looks when compared to anything else from the period.  Unfortunately, Anderson wasn't as in control of the Century 21 ship as fans like to think.  Besides the fact that he and Sylvia were heading towards a divorce, he'd sold the company to Sir Lew Grade years ago and Grade was always fixated on getting their series sold to American TV networks.  When UFO went into direct syndication instead, Grade's attitude was "well, give me something different."  1999 was the result of Anderson's team trying to salvage all the development that they'd already done for UFO 2, and it frequently feels like a Frankenstein effort. And then, of course, Space 1999 ended up going directly into syndication as well. :/   Of course, Grade also pulled the plug on Thunderbirds when it was one of the most popular shows in the UK for the same reason, and ultimately blew everything on the collassal dog that was Raise the Titanic, which only goes to show that inheriting a lot of money doesn't mean that you're an expert on making it.    

    Thanks for the info. Indeed, "UFO", along with "Captain Scarlet" were FAR superior shows, although I hated "Stingray". I was always puzzled why "1999" came out so bad after "UFO" & "CS", with them also being from the Anderson's. I had always figured it was just another one-off like "Stingray".

    Stingray was basically a remake of the previous Anderson series, Fireball XL5, except set under the ocean instead of outer space. Stingray was also the very first TV show filmed in the U.K. to be shot in color, which is kinda crazy.  

  • SpottedKittySpottedKitty Posts: 7,232
    Cybersox said:
    There are a few good episodes in the first season, but the entire second season was pretty awful.  I think the overwhelming consensus is that the episode Dragon's Domain is the undisputed highlight of the series, and, ironically, it was also one of the handful that didn't focus on the main cast. 

    "Dragon's Domain" outright scared me the first time I saw it at the age of <mumble>! Definitely one of the best episodes.

  • CybersoxCybersox Posts: 9,085
    Cybersox said:
    There are a few good episodes in the first season, but the entire second season was pretty awful.  I think the overwhelming consensus is that the episode Dragon's Domain is the undisputed highlight of the series, and, ironically, it was also one of the handful that didn't focus on the main cast. 

    "Dragon's Domain" outright scared me the first time I saw it at the age of <mumble>! Definitely one of the best episodes.

    Oh yeah, the mood and sense of dread in that episode was rivetting, and the creature was both terrifying and amazing... Which is probably why the Space 1999's head special effects guys ended up working on a little film called Alien a few years later, and won an Academy Award for it.

  • WonderlandWonderland Posts: 7,056

    While I love the film, it is 52 years old and has several really ponderous scenes that are pretty sure to turn off most modern viewers.

    Yeah, ponderous.  Good word.  Although I loved the movie,  Saw it twice in big (BIG) screen Cinerama theaters.  In college I rode a Greyhound bus 60 miles to Orlando to see it in the "Orange" theater.  Then during school break I dragged my parents 60 miles to see it in Buffalo at the Shea's Theater.  The fact that I remember the names of those theaters in cities hours away from me, is an indication of the impression it made on me.

    But in defense of the ponderocity of the movie.  It was perfect for the atmosphere intended.  And people back then could sit still for hours without checking their phone or opening their mouth.  And at the time, the special effects were out of this world and never before seen in three projector, super-wide, curved screen Cinerama.  It was like a Disney EPCOT ride for two and half hours (14 years before EPCOT).  It's the point where my dad finally grasped what outerspace was all about and appreciated even more, the fact that I was in college studying to be in that field, just down the road from the Kennedy Space Center at a college taught by personnel from the space center.  Seeing it in your livingroom on TV is no comparison, even on a 72" flat screen. The original showings of "2001" were an experience.

    Just checked, it was released in 1968. We know what was going on in 1968 so I'm sure there were some great visual enhancements and a distortion of time going on for most viewers lol! Probably a "long strange trip!" 

  • tj_1ca9500btj_1ca9500b Posts: 2,057
    edited June 2020

    Yup.  UFO was a neat show!  I've binge watched it twice recently.  Sure, some of the 'sixties sensibilities' are on full display, but overall the show still manages to mostly hold up.  They did have women in command positions at least, albiet in miniskirts some of the time!  Yep, 60's Sci Fi and miniskirts...

    Space:1999 is one of those shows that I like the model work and such, and agree/have expressed the sentiment before that the 'Moon jumping from solar system to solar system' premise needs to be developed a lot better.  My thought is that an ancient wormhole generating device of alien origin is buried in the moon, and thanks to the 'nuclear accident' now has an unintentional new power source and fires off every so often... but as for the plot lines, etc. of that show, yeah a lot of them just make me groan inside.  Also, the Eagles aren't really obeying Newtonian physics, but technically neither did the lunar interceptors in UFO...   Space:1999 did have it's moments though!

    I think that either show is reboot-worthy, though! I'd like to see the Space:1999 plots (Space:2039 now?) a bit more 'grounded'.  That show had a lot of potential, but it was a product the 70's, soooo...

    And yeah, 'slower, more ponderous pacing' was something we used to see a lot more of back in the day.  As someone else pointed out, Star Trek: The Motion Picture, also Solaris, Silent Running... numerous other examples.  Some movies still do this to some degree, but for the most part don't really connect with a good portion of today's audiences.

    But yeah, 2001 is one of those movies where there's a lot of 'theorizing' going on in the background from the fan base, and of course some of it is detailed in the book.  One thing I remember from the 2010 book is that the Monoliths are multi-dimensional objects, with the 'square' progression continuing into the higher dimensions (1 x 4 x 9 x 16 x 25...).  Ars did a write up of the 70mm re-release a couple of years back:

    https://arstechnica.com/gaming/2018/07/2001-in-70mm-luxuriate-in-variously-evolved-humans-going-places-eating-things/

    I still remember when 70mm was a thing, and made it a point to see all three of the original Star Wars movies at my local 70mm theater.  It closed a few years later, and was eventually bulldozed/replaced by apartments.  These days, IMAX sorta kinda fills that void, but yeah fond memories of the huge screen, the killer sound system.  I remember going to another 70mm theater to see the original Battlestar Galactica on the big screen in Sensurround... you could hear the engines rumbling while standing in line OUTSIDE the theater, at least where I went to see it.  As I remember, Sensurround movies even had health warnings for the faint of heart posted!

    Of course, in the era of COVID, well hopefully you've invested in a decent home theater system if you are still a fan of going to the movies.  It's a poor 'second' to say Imax, but it's something at least!

     

     

     

    Post edited by tj_1ca9500b on
  • memcneil70memcneil70 Posts: 4,321

    Just a note, someone mentioned people and their phones in relation to long movies on page one. When 2001 was released, phones were at home, plugged into a wall and we could leave our homes, go to the movies and  escape from the real world into worlds beyond our current capabilities or into our dreams. You could also go to a resturant and people actually sat, ate, looked at their companions, and had conversations with them over a meal. 

    I love Sci-Fi movies. But this one, I can't remember ever seeing it, or if I started to, if I finished it. But Star Wars, that has meaning to me and my son. The first three episodes that were released at least.

    In Los Angeles in the 1950s/60s, they filled air time with old movies from the 30s/40s and I loved them. On Saturdays, the local cinema had $.25 movies for kids with The Three Stooges, Buster Keaton, Lucielle Ball, Roy Rogers, ... We would load up on $.01 and $.05 candy and sit for hours watching them.

  • SevrinSevrin Posts: 6,310

    Just a note, someone mentioned people and their phones in relation to long movies on page one. When 2001 was released, phones were at home, plugged into a wall and we could leave our homes, go to the movies and  escape from the real world into worlds beyond our current capabilities or into our dreams. You could also go to a resturant and people actually sat, ate, looked at their companions, and had conversations with them over a meal. 

    I love Sci-Fi movies. But this one, I can't remember ever seeing it, or if I started to, if I finished it. But Star Wars, that has meaning to me and my son. The first three episodes that were released at least.

    In Los Angeles in the 1950s/60s, they filled air time with old movies from the 30s/40s and I loved them. On Saturdays, the local cinema had $.25 movies for kids with The Three Stooges, Buster Keaton, Lucielle Ball, Roy Rogers, ... We would load up on $.01 and $.05 candy and sit for hours watching them.

    That point about the old movies is right on.  I think one of the reasons my generation watched old movies and even listened to "old people music" at all is that there wasn't enough new stuff to watch and listen to.  If you wanted to watch The Beatles on TV, like it or not, you got stuck watching everything else on Ed Sullivan, too. 

    That's not the case now.   Today, we can all live in our bubbles.

  • GordigGordig Posts: 10,192
    Sevrin said:

    Just a note, someone mentioned people and their phones in relation to long movies on page one. When 2001 was released, phones were at home, plugged into a wall and we could leave our homes, go to the movies and  escape from the real world into worlds beyond our current capabilities or into our dreams. You could also go to a resturant and people actually sat, ate, looked at their companions, and had conversations with them over a meal. 

    I love Sci-Fi movies. But this one, I can't remember ever seeing it, or if I started to, if I finished it. But Star Wars, that has meaning to me and my son. The first three episodes that were released at least.

    In Los Angeles in the 1950s/60s, they filled air time with old movies from the 30s/40s and I loved them. On Saturdays, the local cinema had $.25 movies for kids with The Three Stooges, Buster Keaton, Lucielle Ball, Roy Rogers, ... We would load up on $.01 and $.05 candy and sit for hours watching them.

    That's not the case now.   Today, we can all live in our bubbles.

    And I'm all for it, because it's not like I would ever hear Gorod on the radio.

  • dennisgray41dennisgray41 Posts: 823

    I'm lost. If this image is from 2001, Why is it being used as a daz promo? They programmed in fortran! CGI was more sci fi than the movie. 

    Also, sorry, I tried to wach it once but I was board.I only know it has a AI named Hal. I think the guy was alone and the score was great.

  • nemesis10nemesis10 Posts: 3,504

    I'm lost. If this image is from 2001, Why is it being used as a daz promo? They programmed in fortran! CGI was more sci fi than the movie. 

    Also, sorry, I tried to wach it once but I was board.I only know it has a AI named Hal. I think the guy was alone and the score was great.

    The model is a direct knock-off of an Eva vehicle from the film 2001 (top 100 for the Library of Congress and  National Film Registry).  Its iconic status makes it a easy target for the owner of the intellectual property (Disney) to sue.

  • CybersoxCybersox Posts: 9,085
    nemesis10 said:

    I'm lost. If this image is from 2001, Why is it being used as a daz promo? They programmed in fortran! CGI was more sci fi than the movie. 

    Also, sorry, I tried to wach it once but I was board.I only know it has a AI named Hal. I think the guy was alone and the score was great.

    The model is a direct knock-off of an Eva vehicle from the film 2001 (top 100 for the Library of Congress and  National Film Registry).  Its iconic status makes it a easy target for the owner of the intellectual property (Disney) to sue.

    Not Disney, that's Star Wars.  2001 was produced by MGM, whose assets, through a long series of mergers, buyouts and acquisitions, are now controlled by the AT&T/Time Warner/HBO Borg conglomerate entity. 

  • CybersoxCybersox Posts: 9,085

    Also, sorry, I tried to wach it once but I was board.

    Well, some of the acting was (intentionally) a bit wooden.  

  • nemesis10nemesis10 Posts: 3,504
    Cybersox said:
    nemesis10 said:

    I'm lost. If this image is from 2001, Why is it being used as a daz promo? They programmed in fortran! CGI was more sci fi than the movie. 

    Also, sorry, I tried to wach it once but I was board.I only know it has a AI named Hal. I think the guy was alone and the score was great.

    The model is a direct knock-off of an Eva vehicle from the film 2001 (top 100 for the Library of Congress and  National Film Registry).  Its iconic status makes it a easy target for the owner of the intellectual property (Disney) to sue.

    Not Disney, that's Star Wars.  2001 was produced by MGM, whose assets, through a long series of mergers, buyouts and acquisitions, are now controlled by the AT&T/Time Warner/HBO Borg conglomerate entity. 

    You are right!

  • CybersoxCybersox Posts: 9,085

    I do have to say, I find it a bit depressing to hear the comments about "old" films here... it reminds me of my ex's kid brothers, who literally refused to watch anything in black and white, and thus missed out on so many great films and early TV series.  Fortunately, in the real world, the enhanced access that the internet now provides has brought as ressurgeance of interest in classic films and actors, and it's great to see that Buster Keaton's star is very much on the rise again as people realize how much of not just modern comedy but modern action films are just new directors, actors, and stuntmen endlessly reshuffling the same elements from the bag of tricks that Buster developed.   

  • 3Diva3Diva Posts: 11,749
    Cybersox said:

    I do have to say, I find it a bit depressing to hear the comments about "old" films here... it reminds me of my ex's kid brothers, who literally refused to watch anything in black and white, and thus missed out on so many great films and early TV series.  Fortunately, in the real world, the enhanced access that the internet now provides has brought as ressurgeance of interest in classic films and actors, and it's great to see that Buster Keaton's star is very much on the rise again as people realize how much of not just modern comedy but modern action films are just new directors, actors, and stuntmen endlessly reshuffling the same elements from the bag of tricks that Buster developed.   

    I've never seen a Buster Keaton film. I don't know anything about him, though I've heard the name mentioned in a couple of different movies. Do you have any recommendations for someone to watch if they've never seen his work?

  • ericolsenericolsen Posts: 350

    The 2010 sequel had better 'pacing' as far as attention spans go.  For me, I like both movies, mainly for the model work and set work.  Admittedly, the pacing on the first movie is lethargic compared to other movies of the era.  Some people didn't like the sequel either though.

    I had never thought of a TIE fighter as an EVA pod with hexagonal panels slapped on until this thread...  Now I cant unsee it!

    Argh!!!

    EVA pods came first, Lucas rips off Kubrick.  Are we surprised?  OK yeah some model maker ripped off some other model maker, but yeah...

    For those of you that lose interest and give up mid-movie, I recommend putting 2001 on in the background as you work, looking up occasionally when the dialogue or soundtrack pick up.  That way, you can at least watch the 'classic' scenes from the tail end of the movie (star child, the 'drug induced' sfx sequence, Bowman vs HAL, etc.) so that you'll have at least seen the 'source material' for the parody references in the Simpsons, etc...  It'll still be a bit ponderous, but then you can say 'I made it to the end at least' - The end does get a bit 'trippy'...

    In any case, I love both of these movies mainly for their attention to Newtonian physics and the ship designs.  And the 'centrifuge' sections for artificial gravity.  So much science fiction glosses over that whole gravity, or lack thereof thing, or just 'assumes' that gravity plating at a 90 degree angle from the 'thrust plane' is a thing, lack of efficiency aside...  I still watch it though, just groan a bit inside.  And yeah , I still love how Star Furies and the reboot Vipers make Newtonian combat look cool!

    On a slightly unrelated note, I tried binge watching The Expanse recently, but it just wasn't grabbing me for whatever reason.  May give it another go at some point.

    Everyone says this, of course, but the books are far better than the series, and the audiobooks narrated by Jefferson Mays are exceptionally well done.  Highly, highly recommended.

     

  • DavidBDavidB Posts: 3
    Cybersox said:
    nemesis10 said:

    The model is a direct knock-off of an Eva vehicle from the film 2001 (top 100 for the Library of Congress and  National Film Registry).  Its iconic status makes it a easy target for the owner of the intellectual property (Disney) to sue.

    Not Disney, that's Star Wars.  2001 was produced by MGM, whose assets, through a long series of mergers, buyouts and acquisitions, are now controlled by the AT&T/Time Warner/HBO Borg conglomerate entity. 

    Having said that, I've seen a couple of marketplace items based on the interior of the 'Discovery'. What's the copyright position on them?

    Here's one of them: https://www.daz3d.com/sci-fi-spaceship-centrifuge

  • Ha, yes. Also this space station Corridor. https://www.daz3d.com/retro-sci-fi-corridor
    (Not the Discovery, but the hotel in the transfer station between Earth and the Moon.)

    There are plenty of things in the store that I like, which clearly come from movie sources (and not just 2001).

  • LeatherGryphonLeatherGryphon Posts: 11,682
    edited June 2020
    Cybersox said:

    I do have to say, I find it a bit depressing to hear the comments about "old" films here... it reminds me of my ex's kid brothers, who literally refused to watch anything in black and white, and thus missed out on so many great films and early TV series.  Fortunately, in the real world, the enhanced access that the internet now provides has brought as ressurgeance of interest in classic films and actors, and it's great to see that Buster Keaton's star is very much on the rise again as people realize how much of not just modern comedy but modern action films are just new directors, actors, and stuntmen endlessly reshuffling the same elements from the bag of tricks that Buster developed.   

    I love old Alfred Hitchcock films.  "The 39 Steps", "The Lady Vanishes", "Jamaica Inn", ...yes

    I'm a Scroogeophile and obsessively watch as many versions of the 'A Christmas Carol" as I run across during the season.  My hero, the pre-ghost Scrooge.  My favorite version is the Reginold Owen 1938 version.  Of course in b&w.heart

    And I remember the '50s.  The world really was black & white back then.  The sun didn't emit colors until the late '50s.devil  Back when the Earth was flat.cheeky  Back before the ocean water falling off the edge reduced the pressure holding the world flat, and let the corners curl up into a ball.

    Post edited by LeatherGryphon on
  • SevrinSevrin Posts: 6,310
    Cybersox said:

    I do have to say, I find it a bit depressing to hear the comments about "old" films here... it reminds me of my ex's kid brothers, who literally refused to watch anything in black and white, and thus missed out on so many great films and early TV series.  Fortunately, in the real world, the enhanced access that the internet now provides has brought as ressurgeance of interest in classic films and actors, and it's great to see that Buster Keaton's star is very much on the rise again as people realize how much of not just modern comedy but modern action films are just new directors, actors, and stuntmen endlessly reshuffling the same elements from the bag of tricks that Buster developed.   

    I've never seen a Buster Keaton film. I don't know anything about him, though I've heard the name mentioned in a couple of different movies. Do you have any recommendations for someone to watch if they've never seen his work?

  • 3Diva3Diva Posts: 11,749
    Sevrin said:
    Cybersox said:

    I do have to say, I find it a bit depressing to hear the comments about "old" films here... it reminds me of my ex's kid brothers, who literally refused to watch anything in black and white, and thus missed out on so many great films and early TV series.  Fortunately, in the real world, the enhanced access that the internet now provides has brought as ressurgeance of interest in classic films and actors, and it's great to see that Buster Keaton's star is very much on the rise again as people realize how much of not just modern comedy but modern action films are just new directors, actors, and stuntmen endlessly reshuffling the same elements from the bag of tricks that Buster developed.   

    I've never seen a Buster Keaton film. I don't know anything about him, though I've heard the name mentioned in a couple of different movies. Do you have any recommendations for someone to watch if they've never seen his work?

    Thank you, @Sevrin ! :D 

  • GreeboGreebo Posts: 161
    Sevrin said:
    Cybersox said:

    I do have to say, I find it a bit depressing to hear the comments about "old" films here... it reminds me of my ex's kid brothers, who literally refused to watch anything in black and white, and thus missed out on so many great films and early TV series.  Fortunately, in the real world, the enhanced access that the internet now provides has brought as ressurgeance of interest in classic films and actors, and it's great to see that Buster Keaton's star is very much on the rise again as people realize how much of not just modern comedy but modern action films are just new directors, actors, and stuntmen endlessly reshuffling the same elements from the bag of tricks that Buster developed.   

    I've never seen a Buster Keaton film. I don't know anything about him, though I've heard the name mentioned in a couple of different movies. Do you have any recommendations for someone to watch if they've never seen his work?

    That is a Classic.

  • dennisgray41dennisgray41 Posts: 823

    OK, so now I know more that I wanted to about the movie but not why the promo for Daz Studio features a model from ShareCG in a prominent position

  • 3Diva3Diva Posts: 11,749

    OK, so now I know more that I wanted to about the movie but not why the promo for Daz Studio features a model from ShareCG in a prominent position

    They often pick cool looking images from the Galleries for the header images. They don't have to feature only Daz3D content to be chosen for that, I believe.

  • 3Diva3Diva Posts: 11,749
    Sevrin said:
    Cybersox said:

    I do have to say, I find it a bit depressing to hear the comments about "old" films here... it reminds me of my ex's kid brothers, who literally refused to watch anything in black and white, and thus missed out on so many great films and early TV series.  Fortunately, in the real world, the enhanced access that the internet now provides has brought as ressurgeance of interest in classic films and actors, and it's great to see that Buster Keaton's star is very much on the rise again as people realize how much of not just modern comedy but modern action films are just new directors, actors, and stuntmen endlessly reshuffling the same elements from the bag of tricks that Buster developed.   

    I've never seen a Buster Keaton film. I don't know anything about him, though I've heard the name mentioned in a couple of different movies. Do you have any recommendations for someone to watch if they've never seen his work?

    I'm watching this now. It's pretty cute and funny! "If you lose this war don't blame me." LOL

    The pacing seems a tad "slow" for my taste (like the dialogue and stuff says on the screen a bit too long, etc) so I'm watching it at 1.5 speed. lol Just seems to be a bit more exciting and the pacing is better slightly sped up, imo. It's a fun movie, I'm enjoying it (I had to pause it to let you know - since I'm forgetful and would probably forget to later). Thank you for the link! *sneaks off to finish watching it*

  • CybersoxCybersox Posts: 9,085
    edited June 2020
    Cybersox said:

    I do have to say, I find it a bit depressing to hear the comments about "old" films here... it reminds me of my ex's kid brothers, who literally refused to watch anything in black and white, and thus missed out on so many great films and early TV series.  Fortunately, in the real world, the enhanced access that the internet now provides has brought as ressurgeance of interest in classic films and actors, and it's great to see that Buster Keaton's star is very much on the rise again as people realize how much of not just modern comedy but modern action films are just new directors, actors, and stuntmen endlessly reshuffling the same elements from the bag of tricks that Buster developed.   

    I've never seen a Buster Keaton film. I don't know anything about him, though I've heard the name mentioned in a couple of different movies. Do you have any recommendations for someone to watch if they've never seen his work?

    If you've seen any Jackie Chan movies, you've seen a ton of references and homages to Buster Keaton, with Chan really being the only person to rival Buster in terms of both sheer crazy, truly death defying stunt work and spot on comic timing.  Buster didn't believe in faking stuff for the camera - if he couldn't do it himself, he didn't do it, and the guy was completely fearless.  Here's a great interview coupled with some stunt highlights in which an older Buster explains where his name came from, as it wasn't used as a person's name before Keaton, and orignally meant a really spectacular fall or a someone who tamed wild animals by riding them.  The name was handed to Buster by no less than Houdini after the legendary magician witnessed the then six month (yes, month,) old Keaton fall down an entire flight of stairs only to get up and shake it off without even crying.  

    Post edited by Cybersox on
  • DodgerDodger Posts: 304
    Redfern said:

    It saddens me a bit that we've reached a time when some people no longer recognize one of the more notable cinematic sci-fi designs.

    I've actually read a comment in which the person thought somebody merely tore off the solar panels of a T.I.E. fighter.

    In their defense, it was over 50 years ago.

    So was the TARDIS.

Sign In or Register to comment.